Archive for the 'art' Category

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(Mostly) Modest Thoughts on Modern Art

Normally, I don’t do this sort of thing.  I plan ahead, so that I can deliver a quality post for you guys, but this time it’s going to be a little different.  Here’s what happened: When visiting San Francisco’s Museum of Modern Art, I came across a piece that so astonished me that I felt compelled not just to write about it, but to bump up this story to the front of the line.

That means you’ll have to wait a little longer to read my take on the Flaming Lips, George Stevens’s films, or other such topics. I know waiting is hard, but I think it’ll be worth it, and if there is anything that I’ve learned from my audience surveys, it’s that you all are a resilient bunch.

Well OK, technically I haven’t done any audience surveys, but that’s what I imagine you all are like when I’m conducting management meetings about this blog … with myself.  It’s a very effective way of doing a meeting, actually. There’s lots of common ground for one thing, so you know, give it a try.

By now you may be wondering what artwork was it that made me veer off course. Or, maybe you’re wondering if I’ll ever get to the point.  Both worthy things to wonder.

We’re almost there.  I just wanted to get you ready for the experience by properly setting the stage.  I will make some rather abstract points, but stick with me, and I’ll tie it all together at the end.  So with that said, here it is:

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The piece is called “Blue Smudge,” and it is created by Mel Bochner.  Right away with the title, the artist is hitting us with a powerful juxtaposition.  Blue is a very distinct color, while a smudge is by its nature amorphous, lacking a concrete form.

In a sense then, Mr. Bochner is giving us definitive ambiguity.  What a scrumptious paradox!  Note too how the smudge in question actually bears a striking resemblance to a key element of the cultural icon colloquially known as the frowny face.

Mr. Bochner could have chosen any color, but it’s significant that he chose blue.  In the parlance of our times, feeling blue conveys sadness, a world-weary ethos, depression. Is it too much of a stretch to say that feeling blue is in fact a smudged state of being? I think not.

Let’s take a closer look:

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This enlarged view really lets you see the subtle gradations of texture that the artist uses to make his point.  (Thanks Photoshop!) When does one hue of blue end and another begin?

It is not unlike the philosophical endeavor to determine where the domain of one soul ends and where another begins. The granular nature of chalk is the perfect medium to call attention to this inherently human quest for boundaries.

The colors also remind us of the Greek flag, hinting at the gift of democracy that ancient Greece gave us, but let’s take a moment to look at the world today.  It doesn’t take a rocket scientist, or a rockin political scientist for that matter, to conclude that we sometimes squander this gift on frivolous pursuits, and in that sense Mr. Bochner’s smudge cries for that wasted potential.  Look at the piece long enough and you really start to feel the pathos of the … OK, I can’t go any further.

Everything I said about the painting, except for the title and the name of the “artist” is complete rubbish.  Speaking of rubbish I would encourage the SFMOMA to do the right thing and recycle that puppy.

I know. It’s supposed to be conceptual art, and it’s about the idea, about provoking a reaction.  Etc.  In my humble opinion though, this is merely a way of justifying half-hearted effort and incompetence. It’s the art equivalent of the signs held by panhandlers on Fishermans’ Wharf that say, “Why lie, I need a beer.”  I’m not going to high-five those guys for being lazy. Nor am I going to  give  Mr. Bochner respect for his “artistic achievement.”

More art on display at SFMOMA.

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Can you imagine a baseball player who builds a career by blinking his eyes and signing “peace” in American Sign Language instead of, you know, actually swinging at the ball? What about a plumber who addresses a leaky pipe by painting it with earth tones and calling it Yellowstone?

We wouldn’t put up with such posers because we still value the pursuit of excellence in most fields, but in the art world we’ve allowed a few pompous hipsters to hijack the standards we use to determine accomplishment.  As Jon Bon Jovi might say, you give art a bad name, Mr. Bochner. Shame!

As it happens the most compelling art I saw in San Francisco was not at the museum but in the city’s exceptional art galleries.  We’ve been conditioned to expect that museums, being non-profit organizations, are superior in quality to for-profit galleries, but just like in the world at large that’s not always the case.

It makes sense.  San Francisco is one of the biggest art markets in the world, so apparently it is not unusual to see original Picassos, Miros, and Chagalls on display at the high-end dealers.

At the Weinstein and the Martin Lawrence Galleries on Geary Street, the dealers spent a bit of time chatting with me about the art on display, even though I made it clear from the beginning that I was not looking to buy anything.  They were still eager to share their passion for art, and they didn’t treat me in a condescending way, which sometimes happens when the proprietors conclude that you’re not a paying customer.

I’m grateful to them for that, so if you are looking for art, and you’re in the San Francisco area, look those galleries up.  They’ll treat you right.

The Martin Lawrence Galleries had a particularly strong collection of Marc Chagall paintings.  Mike, one of the associates there, talked to me about the painter.  When he realized my admiration of Chagall’s work, he took me upstairs to show off the paintings valued at over a million dollars.  One of those paintings was the one below:

Bouquet Jaune sur Fond Bleu – Marc Chagall, 1981-1982

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Mike didn’t just show me the painting.  He unmounted it from the wall and showed me Chagall’s signature on the back that demonstrates authenticity.  Then, he did something I’ve never seen before. He took that million dollar painting and casually tossed it in the air and caught it upside down.

He wanted to demonstrate that Chagall’s paintings are still enjoyable to view even if the orientation changes. Stunned, I complimented Mike on his bravery.  Playing million-dollar catch is a little bit out of my price range, you know, but Mike made his point.

Chagall wasn’t painting to impress stuffy critics and art intellectuals.  He was painting with love, and that’s where the vitality of his work comes. Mike compared Chagall to Picasso, noting that Picasso has a very analytic approach and painted women in a way that suggests an underlying misogyny.  Chagall’s work is more tender, celebrating the joyful harmony of togetherness.

I’m not a hundred percent sure about this, but I think Jon Bon Jovi might react to Chagall’s style by saying something like, ” We’ve got each other and that’s a lot. For love – we’ll give it a shot.” (Hey, I told you guys I’d try to tie it all together in the end!)

Lovers and Flowers, Marc Chagall

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Anyway, even when the relationships in my life aren’t working so well, it makes me feel a little better to know that out there somewhere is love like that.  Whenever possible, try to be more like Chagall and less like Bochner with the things you do, whether you’re an artist or an accountant.  The world will thank you for it.

 

If you appreciate my writing, why not write a comment or share the post with a friend? It would encourage me to keep writing and sharing bits of my heart with you.

Please consider signing up to get my posts by email.  You can do that by clicking here.  I don’t write every week.  If I did, I wouldn’t have the time to write the kinds of posts I prefer to write.
I only write if I believe I have something worth writing and after I’ve spent some time finessing my thoughts.  If you’re following along by email, you’ll know right away when I have a new post waiting for you.  It is very easy to unsubscribe, and you won’t receive anything unrelated to my blog.  As always, thanks for reading and God bless.

Music Videos and Other Miscellaneous Matters

I wrote an article for altdaily.com about music videos. In that article, I gave 15 videos that influenced my perception of what a music video could be. That article is here: http://www.altdaily.com/features/music/a-directors-favorite-music-videos.html

The article came about because of a conversation I had with the editors about whether they could mention the screening we were doing for our music video.  The music video was one I directed for an instrumental rock band in Virginia called Long Division.  Initially we were going to do a private screening with just the band, the people who helped make it, and a handful of the most loyal fans.

On the day of our screening, we got snowed out.  What a disappointment that was. It rarely snows in Virginia, at least in our neck of the woods, so it felt like an unfortunate turn of fate. Some of the band members were leaving for an extended trip to China, and it looked like we might not get to do the screening for a while, if at all.

The concept art I did for the music video.

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It might seem like a small thing that we had to cancel our screening, but it felt like one more setback in a series of unfortunate events. On the shoot itself, just to give one example, one of our model rockets ended up torpedoing into a nearby roof, even though we were, from what I remember, at least 200 yards away from the closest house.

I had to pay to fix the family’s roof myself.  It was my shoot, so I take responsibility for any damage that’s done.  Fair enough, but still discouraging, and I was frustrated about other things as well, so the cancelled screening had a compounding effect on me.

As it turned out, the guys weren’t gone as long as I expected.  Andrew Lane, one of the band members who went to China and a key creative partner on the video, talked about the possibility of turning the screening into a show.  Together we put on an event where we screened the video, had artists share their work, and heard a few bands play.

We got such interest in the event that it became clear a week before it happened that we would have to turn people away.  Altdaily hadn’t confirmed that they would run my article, but I asked them to delay it until after the screening if they were still planning on printing it.  I didn’t want too many people to get sent home in disappointment.  A good problem to have, right?

Bison performing at our “alone in space” show. Photo credit: Parthena Savides

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What seemed like a setback was actually a blessing in disguise. The “alone in space” show and the press that came with it were the best possible outcomes for us, and neither would have happened if we got our initial screening.

I’m writing this at a time shortly after facing another seemingly devastating setback, so it is encouraging to remember the way things unfolded with the music video.  That’s not to say that every setback will inevitably lead to something better.

After all, free will couldn’t exist without the freedom to fail. (Interesting that so many contemporary governments make it a priority to isolate their citizens from failure. That can get expensive, but it’s not a bad price to pay for a little more control, at least if you are a control-minded government. Maybe not such a hot deal for the actual citizens though, at least for those who value freedom over comfort.)

[youtube=http://www.youtube.com/watch?v=7A74XXWeqGY]

A video promo I made the “alone in space” show.

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There are so many tragedies and horrors in our world, and I don’t know why things happen the way they do.  Nor do I know the scope of the tragedies you’ve faced, noble readers.  I don’t have all the answers, and I’m not a perfect person, but I do believe that things happen for a reason.  There is good out there, bigger than us. Some people, myself included, call that God.

I know that music videos are mostly disposable commodities, but still maybe you can find some small encouragement in the way things unfolded with ours.  At the very least, writing this has helped me to get back to a sense of dignity and grace. What a marked contrast to my state of mind just a day or two ago.  I couldn’t do that on my own, folks.

Here’s the video in case you haven’t seen it yet. We got more views on vimeo, but YouTube compression has gotten better, and I figured I’d give it another chance:

[youtube=http://www.youtube.com/watch?v=nvNqs3rQn5U]

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Only a few weeks after I made the video did I realize one of the reasons I made it. It relates to a play I wrote a while ago.

I didn’t write it just for recognition or for something to add to my portfolio. There’s nothing wrong with getting recognized for something of merit that benefits others, but sometimes recognition is easier to chase than the driving force behind a personal creative project. (I don’t promote my work all that much compared to others, but some people still take issue with any attempts at self promotion.  To those people I say this, “It’s called trying to make a living. Try it for yourself someday.”)

I couldn’t really articulate this at the time, but I wrote the play primarily in the hope of reconciling things with my dad.  I had a sense that I should share it with him, but I didn’t.  I thought he would hate the story.  A few weeks later he died, and our relationship was never fully restored.

Somehow it felt like the story had found a way to undermine my very reason for writing it, and so I lost my inclination to write stories after that.  It was the last full-length story I finished.  I’ve attempted to write others since then, but they’ve all withered in development.

Props and art from the “alone in space” show.  Photo credit: Parthena Savides

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The play was my helmet.  One of these days I’ll pull it out of the closet  and breathe new life into it. But not yet. Not quite yet.

Once again the unexplainable thing, the tragedy gives way to meaning. It just took time to see. It always does.

If you appreciate my writing, why not write a comment or share the post with a friend? It would encourage me to keep writing and sharing bits of my heart with you.

Please consider signing up to get my posts by email.  You can do that by clicking here.  I don’t write every week.  If I did, I wouldn’t have the time to write the kinds of posts I prefer to write.
I only write if I believe I have something worth writing and after I’ve spent some time finessing my thoughts.  If you’re following along by email, you’ll know right away when I have a new post waiting for you.  It is very easy to unsubscribe, and you won’t receive anything unrelated to my blog.  As always, thanks for reading and God bless.