Tag Archive for 'painting'

Support Local Art … Sometimes

Supporting local art is important, and I’m not just saying that as an aspiring artist.  The right kind of art offers significant benefits to society, but the impact is hard to measure. That’s why tangible displays of support matter.

Think about it:  An entrepreneur can evaluate the success of his business by the amount of profit it earns. An inventor might consider the number of man-hours her device saves.  And it’s like they say, “if the water will flow, the plumber’s skin will glow.  It glows with pride, I will confide!”

Photo credit: flickr.com/slugicide

Actually no one ever said that as far as I know.  It was just a shameless way for me to work a rhyme into the beginning of this post.  Full disclosure: I am not currently getting any sponsorship from the American Association of Rhyming People (AARP), but if one of their members were to read the prior paragraph and so thoroughly enjoy it that he or she felt compelled to write me a check, then I would not refuse said check.  Also, it is entirely possible that AARP stands for something else and that there is no organization in place which promotes the usage of rhymes in American composition. Hard to believe but if true, very tragic.

Now then, let’s return, in seriousness, to our subject.   How do artists measure success? If it’s just by the money their work earns, then we’re going to have a lot of discouraged artists out there.  From the beginning of recorded history artists have been dependent upon the patronage of others.

Even today,  most operas, plays, films, novels, or paintings that are created do not entirely pay for themselves.  Yes I know, Avatar was a big smash, but for every Avatar, there are thousands of films that don’t even earn back the money they cost to make.

Photo credit: flickr.com/bright

As to books,  the publishers depend on a few breakout hits like the Harry Potter series or the Dan Brown books to pay for the rest of the lineup.  And why do you think theater playhouses and opera companies ask for sponsors at the beginning of every show?  If they had to depend on just ticket prices, they would all be out of business.

What about using popularity as a measure of artistic merit?  Well, let us assume that all the songs on the 40 lists are each fantastic pinnacles of artistic achievement (that’s a very big assumption if your musical sensibilities are similar to mine), but then there is still one small detail worth mentioning. Namely, there are far too many artists like Vincent van Gogh who were unpopular while living but who are now canonized by the artistic community.

Portrait of Dr. Gachet - Vincent van Gogh, 1890

At this point, if you’re wondering why anyone should consider supporting something that isn’t, statistically speaking, likely to be immediately profitable or popular, well you could always just invest in porn.  After all, porn is generally very popular and profitable, but as I explained in The Art/Porn Dilemma, that doesn’t mean it is something that society should wholeheartedly embrace.

I don’t know about you, but I’ve definitely read books, heard music, and seen paintings, plays and films that had an inspiring effect on me.  Seeing excellence  in an artist’s work challenges me to aim for excellence in my own way. Along that line, being around masterful architecture makes me want to earn the privilege of its proximity.

Sometimes, art reveals how beautiful honesty, imagination, and affection can be.   Or, it might illuminate problems that cause dissonance both in the world and in my heart.  Even an artistic endeavor that exists merely to distract me from my troubles by serving humor, wonder, or elegance has merit.  Speaking of which,

Isn’t it about that time,

to return now to the rhyme?

No, no.  Must not use unnecessary rhymes … must not unnecessary rhymes. OK, that was embarrassing.

Photo credit: flickr.com/rbrwr

My apologies about that, ladies and gentlemen.  I’ll do what I can to maintain decorum from now on.

Anyway, on more than one occasion, I’ve taken action to fix a sinking relationship after seeing just the right film or play that put things into better perspective.  Usually the story doesn’t even relate exactly to my situation, but it broadcasts a reverberating moral universe into my heart, and I respond to its frequencies.

I don’t know how that works exactly.  It is sort of like magic.  Just like Alice in Tim Burton’s take on Wonderland, I emerge from a strange, imaginative realm with new clarity about what needs to be done.

But it’s not all sunshine in the art world.  As any student at Hogwarts knows, the dark arts are very real and potent. Because I’m sensitive to these kinds of things, I can sometimes trace a moral lapse to the influence of something rotten masquerading as art.

Ultimately, I believe I am responsible for the choices I make, but you have to be a little naive if you don’t think that the things we see and hear influence our decisions.  The billions of dollars spent on advertising are not spent by fools, my friends.

Leo Tolstoy, considered by some to be one of the world’s finest novelists,  wrote a nonfiction book called What is Art. In the book, Tolstoy argues that art often involves a great deal of time, effort, and money to produce, so it should provide society with some kind of benefit.  Otherwise it is just a waste of resources.  I agree.  I encourage you to support art, but not any old rag-tag trinket that claims the title.  Be discerning.

Specifically, I want you to champion worthy art in your community. That’s where your support is most needed. Rest assured, you’re not going to bankrupt Paramount by seeing Iron Man 2 a mere six times in the theater instead of the 18 visits you were planning, but your presence at a local play might make all the difference to your discouraged friend on stage.

I know a few exceptional artists and performers who stopped offering their creative contributions to the world simply because not enough people showed interest.  They wanted to give their city something unique and heartfelt, but everyone was too busy consuming bland, homogenized products to notice.

Photo credit: flickr.com/bright

It’s challenging to keep working hard at something when you don’t see any tangible results. That’s why we all look for ways to measure our progress. We ask, what are the sales figures like this month, how many pounds did I lose, how many new member joined the church, and so on.

Bad things happen when people focus more on getting the measurements right than on the values behind those measurements, but the stats have their place.  They provide a confirmation that we are not wasting time, money, and effort on fruitless endeavors.

By their abstract nature, the benefits of art are hard to track.  Still, they exist, and just like everyone else, artists want to get a sense that their efforts are not in vain.  Trust me on this, it is already difficult enough for most artists to convince family and friends about the merit of what they do. When you have to also convince yourself of that merit, it becomes almost impossible to keep pressing onward.

I’m not sure if my writing will ever lead to any sustained financial compensation, but I’ll still keep doing it.  You see, I’ve come to believe that writing in an honest and personal way is one of the things I’m supposed to do while on this earth.  Enough people have thanked me for my efforts to sustain that belief. (At least that’s how I feel some days.  I don’t always believe in purpose, but for now let’s just generalize.)

I haven’t always felt that way.  A while ago, I got rather discouraged about the indifferent or callous reception that one of my stories received, and so I told myself I would never discuss that story again.  Nor would I write about things close to heart any more.

The next day, Beth, a teacher of mine, gave my writing a compliment after class.  In so doing, she forced me to break the promise I had made just a day ago.

Here’s the thing, reading the story wasn’t part of her job description.  She read my story because she had taken interest in my work, for whatever reason, not because it was a class assignment.

I didn’t even say anything to her about my frustrations. As I was preparing to leave, she approached me and offered a few nice words.  In those few seconds, she gave me the encouragement to keep fighting.

I persevered and my writing has gotten better as a result, but that wouldn’t have happened if Beth had told herself that instead of reading a script of questionable merit she could read or watch something more widely esteemed  like Tom Wolfe’s latest novel or the new episode of Gray’s Anatomy.

What Beth did for me is what I try to do for others.  I support as many local, worthwhile endeavors as I can, not just the paintings and the plays, but even the small businesses and locally-owned restaurants that do their own thing and do it exceptionally well.

I’m not saying that anything local and independent is better than the established multi-national brands by definition.  I have a better chance of finding the book I want on amazon.com than at the local bookstore, and I doubt that the small-town inventor will produce a better camera than my Canon.

I do buy from the local bookstore, though, if I appreciate the atmosphere it offers. I might even take a chance and buy from that unproven inventor if he seems honest enough and develops something that is potentially useful to me.

Photo credit: flickr.com/tomask

Still, there are only so many hours in the day, and I don’t get to support nearly as much as I’d like.  That’s where you come in.  I know your time and your money are limited, but do what you can.  Someone’s commitment to the path less traveled might depend on  you.

A Celebration and a Warning Regarding Playfulness

If your life doesn’t have enough playtime then there might be something seriously wrong with you, at least that’s what Dr. Stuart Brown, founder of the National Institute of Play, suggests.  I’ve been considering his ideas ever since a friend shared this video with me, and I think he might be on to something.  The video is about thirty minutes long, but it’s worth watching. (You can see a larger version of the video on the TED site here.)

(This link was updated from the TED site to the YouTube one on April 11, 2012 due to embedding issues from TED’s site. The link is the same, but some links did not work properly when I migrated my blog from nsavides.wordpress.com to the current location.)

 

As a writer, I keep my eyes open for new ways to understand others (and myself). That’s not just about getting better at my craft, although that’s a nice bonus, but there is something intrinsically compelling and beautiful about getting closer and closer to the truth of a person.

After reflecting on Stuart Brown’s ideas, I’m now convinced that you can get a  decent sense of a person just by considering his or her play history. At first that might seem silly, but let’s consider the idea a bit.  Aren’t you a little more wary of someone with whom you’ve never shared a laugh?  And if playtime was insignificant, why does our society value sports so highly?

Professional athletes, highly skilled individuals who train extensively to play games in public, are some of the highest compensated members of our society. Successful movies, music and shows often feature visual gags,  amusing variations on a theme, and witty dialogue  (they don’t call them plays for nothing, folks).  Let’s not forget about video games: According to the NPD Group, the United States video game industry generated more than $20 billion worth of revenue  in 2008.

The Lute Player - Frans Hals

The Lute Player - Frans Hals

Playfulness isn’t just a financially valuable attribute to some folks.  Frank Capra, the director of films like It’s a Wonderful Life, and Mr. Smith Goes to Washington, uses playfulness or its absence to reveal character.  In Capra’s World War II documentary Why We Fight, the narrator asks us to, “take a good look at these humorless men.”  This happens just as the camera reveals grim footage of men like Rudolf Hess, Hermann Goering, Joseph Goebbels, and Adolf Hitler.

The implication is that because these men appear humorless, they are not to be trusted.  In comparison, consider what Capra says about comedy in his autobiography, The Name Above the Title: “Comedy is fulfillment, accomplishment, overcoming.  It is victory over odds, a triumph of good over evil.”  Did you get that? As far as Capra is concerned, comedy is what happens when goodness prevails, and without playfulness there is no comedy. It mixes well with the ideas of Dr. Brown, does it not?

Would you like a more contemporary example?  No problem.  In the world or Harry Potter, we are allowed to enjoy the playful side of magic only when we’re around the good kids. The bad guys are only interested in the magic that allows for cruelty and domination.  Are you starting to see a pattern?

Perhaps this is a redundant point, but the moments that feel most corporate at work and in my personal life are decidedly unplayful ones. Work is going to be hard and frustrating sometimes, I know.  Otherwise employers wouldn’t be so quick to entrust us with their hard-earned cash.  That’s not what I’m getting at.  I’m more interested in the cruel or banal moments in our lives that make it harder for us to keep alive our own inner sense of playfulness.

Being playful doesn’t have to be the polar opposite of doing business.  That’s one of the key ideas from a different TED lecture given by a man who is also named Brown, Tim Brown in this case.   He is also the CEO of the design firm IDEO as it happens.  Here’s the video link, if you’re interested.  (It’s the last video link in this post, I promise. Once again here’s the link to the video on TED.)

Tim Brown suggests that there is a connection between the playful environments of places like Google, Pixar, and IDEO and their ability to solve problems  in creative, but also highly effective ways.  It’s as if a playful environment makes it feel a little safer to bring a sense of a playfulness to the work at hand.

Research he references concludes that the most playful kids are the ones who come from the most stable and loving families. It follows, then, that companies who are smart enough to value playfulness should do whatever they can to make the workplace feel more like a supportive family.

Let’s get back to Stuart Brown, the guy from the first video.  It’s interesting, isn’t it, that Stuart Brown doesn’t just ask us to set aside some time for playing.  Instead, he advocates an ongoing state of playfulness. It’s a subtle distinction, but it’s worth addressing.

If play time becomes a mandated thing, then it could quickly turn into something ugly.  By ugly I mean something like a mandatory Nerf-powered shootout in cubicle land where the ambivalent employees have to face off against the obnoxious office go-getters.  Then playtime would get measured, and employees would get evaluated on key play metrics.  At this point, the management folks would quite possibly turn this data  into sheets of uncompelling bar-graphs, and these sheets would be distributed to unsuspecting employees in the name of promoting playfulness.  Honestly though, whose idea of fun is that? (Not mine.)

Stuart Brown is right: The real magic happens when you can bring a sense of playfulness to any situation, but only a true saint can preserve a sense of inner playfulness even in the most trying of circumstances. Whenever I’ve seen the Dali Llama speak (on TV not in person), I’ve noticed an almost jovial lightness to him no matter what he is discussing. The Apostle Paul is another great example to consider.  Even in jail he was  writing about how he had learned, through the grace of God, to be content with all things.

I know being content and being playful don’t mean the same thing, although I do believe they go hand in hand.  When was the last time you remember being simultaneously jealous and playful?  What about being both playful and malicious or conniving?

I don’t about you, but my soul has been muddied from time to time with malicious or conniving inclinations.  In those moments it wasn’t so hard to be persuasive or assertive. I could even muster up a kind of contrived imitation of playfulness, but I couldn’t be truly playful until I put aside, at least temporarily, those ignoble preoccupations.  That’s why I buy into Stuart Brown’s claim that playfulness is an essential part of building trust.

 

Senecio - Paul Klee

Senecio - Paul Klee

Now comes the warning: not everything done in the name of playfulness is good.  Sometimes things are going to hurt. I think part of becoming an adult involves learning to face the pain in our lives without always looking for a way to anesthetize it, to make it seem more fun.  It is the unfiltered sting of truth that lets us better see the broken parts of our lives, but many of us, myself included, find it easier to pour some sugar on our problems as we keep on dancing to the same old dissonant song.

Do you have friends who are always joking around even in serious moments?  Those kinds of  people might seem amusing enough right now, but what if ten years go by and they still aren’t working to improve the world around them?  What about the hardcore gamer who stops providing for his family just so that he can play more games or the sports fan who does nothing but watch games on TV?  What about the partygoers  who bankrupt their futures just to buy a few more temporary thrills? These are all examples of how an inclination toward playfulness can turn tragic.

Stuart Brown tells his patients to explore the most joyous moments of their lives and to adjust their lives accordingly.  That’s great advice.  Let me also suggest that it might be helpful to consider the moments in your life when being playful seems most difficult or when your inclination to play seems most excessive. Do what you can to figure out what it was that robbed you of your ability to enjoy the moment in those situations, and then try to face similar situations in a better way.

I’m going to explain that in a kind of indirect way but also in a personal way, so bear with me. It’s not easy for me to use myself as an example: writing honestly and in a personal manner doesn’t always make me look good, but I wouldn’t respect myself as a writer if I did any less.  In my more optimistic moments I believe that by being honest about my struggles, I can help both you and me in the process.   The wisdom or foolishness of that concept will, I’m sure, reveal itself over time.

In any case, with my life being what it is, I have to believe that the truth, and not my profit margins or my badass quotient, can eventually set me free, free to be the best version of myself, the man I someday hope to be. Maybe you think that’s a foolish thing to believe.  Maybe you’d rather get tips on expanding market share or becoming more of a badass?  If so, then by all means go and find something else to read.

Intrigue - James Ensor

Intrigue - James Ensor

But then, maybe a few of you can relate? If so, then thanks for sticking around.  I hope I can reward you for your patience and your desire to get beyond the surface of things.

With that said, here are some examples of  when it is hard for me to be playful. In  the past, I had difficulty finding a sense of playfulness about my work.  It was too important to joke about because it was the only way I knew of determining my value as a person.  It was an awful way to live.

Now I’d like to think that I don’t take my work as seriously.  I’m participating in a silly one-act play over at the Smithfield Little Theater later today, for example, but sometimes I still get caught up in the belief that my work is the only thing that matters in my life.  Kind of a corporate way to think, right? I know, but when I think that way, I don’t have to put myself in a vulnerable position when dealing with others.

Speaking of other people, I have a hard time remembering playful moments that I shared with my dad when he was still alive. My mom and my sisters played lots of games with me, but not my dad.  Like many other dads, he was too busy with work and with other pursuits to have much time to play with me.

He was helping his patients fight off cancer, and that is admirable enough, and yet the absence of a dependable and playful father figure in my childhood made it harder for me to bond with other guys, whether in sports or in class.  It is still hard for me to form lasting, sincere and playful friendships with others.  Don’t get me wrong: ultimately, I hold myself responsible for the quality of my relationships, but my dad’s interactions with me didn’t make this kind of thing easier.

Earlier I mentioned an admiration for the Apostle Paul’s ability to be content regardless of his situation.  I am, on certain days, the exact opposite of the Apostle Paul: I sometimes have difficulty finding a sense of harmony, of playfulness, even in the most comfortable of settings, and in those moments my world becomes unbearable.

Self Portrait with Masks - James Ensor

Self Portrait with Masks - James Ensor

Anything that can make the moment feel more enjoyable becomes very appealing, whether or not it is good for my long-term goals or even my soul.  In those God-forsaken, loveless moments, the only thing that matters to me is finding some way back to that illusive state of bliss, no matter what it takes.  I try to avoid taking the easy way out when tempted by such toxic siren songs, but I don’t always succeed.

Yes, sometimes I’m the guy who is pursuing playfulness in the wrong way, the one who laughs too much, the one who has a few too many drinks.  I’ve been the guy at the party who has made others shake their heads with disapproval and ponder the uncivilized creatures that this world can produce.  It does wound me so to get that reaction, and yet that’s probably the look I would give to myself if I was a third-party observer.

I try very hard not to be that guy, but sometimes it is easier to laugh and joke and make an ass of myself than to face the truth of the moment.  The only remedy I know for that kind of thing is to acknowledge the pain, to give the moment back to God, and to open my heart to the love that’s out there. It’s not an easy remedy, and I’m not good at adhering to it, but it’s the only thing that seems to work even in a subtle way.

In the book City of God, Saint Augustine writes about the importance of enjoying the presence of God.  He writes that no one is foolish enough to suggest that a man who drinks from a fountain is doing something good for the fountain.  Nor does a lamp benefit when a traveller uses it to navigate.  Why then, asks Augustine, do people assume that God is meant to be loved and enjoyed for the sake of God and not for the good of the souls who love and enjoy Him?

I believe the only way anyone can maintain the ongoing sense of playfulness that Stuart Brown advocates is to enjoy the presence of God moment by moment. It’s OK if your conception of God is different than mine. You might not even believe in God, and you might be better off in this life than I am.  Obviously, I don’t have it all figured out, so there’s no reason why you should take my advice if it doesn’t somehow ring true.

Even so, I still think you might benefit by trying to reconcile yourself moment by moment with something bigger than you, a higher power if you will, in case you find that phrase less objectionable than the word, “God.”   If you and I diligently seek out the truth,uncomfortable though it may be, and listen carefully to the still small voice that speaks with love inside our hearts, then I believe (when I am not distracted by anger or despair) that someday we’ll wake up and discover that our worlds are once again filled with playful possibility. Why take my word for it, though?  My soul is, after all, still a murky blend of light and darkness.  Seek for yourself.

Several Circles - Wassily Kandinsky

Several Circles - Wassily Kandinsky

(This is one of my favorite abstract paintings. It made an impression from the moment I saw it.  Serene and playful, the circles gracefully overpower the darkness around them.)

Let me end with another reference to Frank Capra.  Towards the end of his life, Capra was involved in a video tribute for the late director George Stevens, the man responsible for Shane and other cinema classics. I was captivated by Capra’s playful demeanor even in old age.  Up to that point, I had assumed that older people were by definition more severe than younger folks.  Frank Capra, though, had more vitality and twinkle than a lot of kids I know.

He was talking about looking up George Stevens when he got to heaven so that they could work on something special together.  That kind of cheerful disregard towards death is what it can look like when the good kind of playfulness prevails.  And so, I’m going to pray for more of that kind of playfulness for me and for you.  Here’s to a more playful, less corporate world!

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